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Jose Solís

he/him/his

Writer
The New York Times
Participates in 3 items
Jose Solís has been writing about film and theatre since 2003. His work has appeared in major publications including The New York Times, American Theatre, TDF Stages, TimeOut, and Backstage. He is the co-host of Token Theatre Friends and a producer/host on the Maxamoo podcast. He is a member of the Drama Desk, the Society of LGBTQ Entertainment Critics, and the Online Film Critics Society. When he's not at a show, a screening, or writing about all the art he loves, you can find him singing along to any cast recording featuring Kelli O'Hara. 

Sessions in which Jose Solís participates

Friday 24 January, 2020

Time Zone: (GMT-05:00) Eastern Time (US & Canada)
11:15 AM
11:15 AM
Talkback: Live Show
30 minutes, 11:15 AM - 11:45 AM

New York Hilton Midtown - Regent Room

Podcast

Christine Toy Johnson, Come From Away (Moderator)

Kristoffer Diaz, Hell's Kitchen (Participant)

Jose Solís, The New York Times (Participant)

Talkback is the podcast for every dramatist or theater fan who wants, but maybe hasn’t seen, the inclusiveness we all imagined. TALKBAC...
12:30 PM
12:30 PM
Token Theatre Friends: Live
1 hour, 12:30 PM - 1:30 PM

New York Hilton Midtown - Murray Hill Room

Podcast

Jose Solís, The New York Times (Moderator)

Jordan E. Cooper, Ain't No Mo' (Participant)

Zora Howard, STEW (Participant)

What is a token theatre friend? It can mean being the token person of color in a play who serves no other purpose than to support the (white) main ...

Saturday 25 January, 2020

Time Zone: (GMT-05:00) Eastern Time (US & Canada)
1:45 PM
1:45 PM

New York Hilton Midtown - Murray Hill Room

Panel

Frank DiLella (Participant)

Keith Price, Keith Price Curtain Call (Moderator)

Needs Panelists (Potential)

Jose Solís, The New York Times (Participant)

Linda Armstrong, New York Amsterdam News (Participant)

Irene Gandy, Jeffrey Richards and Associates (Participant)

While the representation of people of color on Broadway has been gradually improving, the field of theatre reviews and reporting has not always kep...