Bess Wohl's plays include Small Mouth Sounds (John Gassner Outer Critics Circle Award, top ten lists in The New York Times, The New York Post, The Guardian and others), American Hero, Barcelona, Touched, In, Cast Talk, and the musical Pretty Filthy with composer/lyricist Michael Friedman and The Civilians (Lucille Lortel and Drama Desk nominations for Outstanding Musical). Her play, Continuity, will have its world premiere at Manhattan Theatre Club in the spring of 2019. Her plays have been produced or developed at theaters in New York and around the country, including Second Stage, Ars Nova, The Williamstown Theatre Festival, Goodman Theater, The Geffen Playhouse, People’s Light and Theatre Company, The Contemporary American Theater Festival, Vineyard Arts Project, The Pioneer Theatre, The Pittsburgh Public Theater, The Northlight Theater, TheaterWorks New Works Festival, Ojai Playwright's Conference, the Cape Cod Theatre Project, PlayPenn, and the New York International Fringe Festival (Award for Best Overall Production). She currently holds new play commissions from Lincoln Center, Manhattan Theater Club, Second Stage, and The Williamstown Theatre Festival. In 2015, Bess won the Sam Norkin special Drama Desk Award for “establishing herself as an important voice in New York theater, and having a breakthrough year.” Other awards and honors include the Athena Award for her screenplay, Virginia, a MacDowell Fellowship, and inclusion on Hollywood’s Black List of Best Screenplays. She is an associate artist with The Civilians, an alumna of Ars Nova’s Play Group, and the recipient of new play commissions from Second Stage Theater, Manhattan Theatre Club, Hartford Stage, and Lincoln Center. She also writes screenplays and has developed multiple original television projects for HBO, ABC, USA, FOX, Disney, Paramount, and others. In her previous life as an actress, she appeared onstage in New York and regionally, and in numerous films and TV shows. She is a graduate of Harvard and the Yale School of Drama.