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Keelay Gipson

he/him/his

Playwright
imagine sisyphus happy
Participates in 1 Session
Keelay Gipson is an activist, professor, and award-winning playwright whose plays include imagine sisyphus happy (Finalist; Eugene O'Neill National Playwrights Conference, P73 Summer Residency at Yale University), #NEWSLAVES (Finalist; Princess Grace Award, Eugene O’Neill National Playwrights Conference, Seven Devils Playwright Conference), CRH, or the placenta play (Semi-Finalist; The O’Neill, Bay Area Playwrights Conference, AADA Main Stage Live!), Nigger/Faggot (Downtown Urban Theater Festival), The Lost, Or How to Just B, What I Tell You in the Dark (Finalist; Premiere Stages), and Mary/Stuart, a dramatic queering of Friedrich Schiller's classic play (BAM Next Wave Festival, partnership with Wendy’s Subway and Lambda Literary). His work has been seen/developed at Victory Gardens, the Wild Project, Poetic Theater Productions, HERE Arts Center, The Theater at Alvin Ailey, Tom Noonan's Paradise Factory, Pace University, Planet Connections Theater Festivity, The University of Houston, The National Black Theater, Rattlestick Playwrights' Theater, The Fire This Time Festival, Classical Theater of Harlem, and New York Theatre Workshop. He is the recipient of New York Stage and Film’s Founders’ Award, the Van Lier Fellowship at New Dramatists, as well as writing fellowships with Lambda Literary, The Amoralists, Page 73, Dramatist Guild Foundation, and Playwrights’ Realm. He has held residencies with the MacDowell Colony, New York Stage and Film, the Cultural Affairs Department of the City of New York, and the Administration of Children’s Services of the City of New York.

Sessions in which Keelay Gipson participates

Saturday 25 January, 2020

Time Zone: (GMT-05:00) Eastern Time (US & Canada)
3:00 PM
3:00 PM
  • Black LGBTQIA+ Playwrights
  • New York Hilton Midtown - Beekman Room
  • 3:00 PM - 4:00 PM  | 1 hour
  • Black LGBTQIA+ playwrights live at the intersection of two identities that are underrepresented in commercial theatre, forcing them to work even ha...
  • Panel
    PlaywritingRepresentation and Inclusion