Kathleen Marshall is a nine-time Tony Award nominee, she has won the award three times for
Best Choreography for the Broadway revivals of Wonderful Town, The Pajama Game, and
Anything Goes. Other Broadway credits include Nice Work If You Can Get It, In Transit, Living
on Love, Grease, Little Shop of Horrors, Follies, Seussical, Kiss Me, Kate, 1776, and Swinging
on a Star. Off-Broadway and regional credits include the New York Shakespeare Festival,
Second Stage, Williamstown Theatre Festival, The Old Globe, Long Wharf, Paper Mill,
Hollywood Bowl, Boston Pops, Signature Theatre, and St. Louis MUNY. Kathleen served as the
Artistic Director for City Center Encores! for four seasons, during which time Encores! received
a special Tony Award for Excellence in Theatre. Her credits for Encores! include The Band
Wagon, I’m Getting My Act Together…, Bells Are Ringing, Carnival, and Babes in Arms, among
many others. Her film and television credits include "My Week with Marilyn" (choreographer), "Once Upon a Mattress," "The Music Man" (choreographer), and "2 Broke Girls." She has
received three Drama Desk Awards, three Outer Critics Circle Awards, an Emmy nomination, an
Olivier nomination, the Astaire Award, the George Abbott Award, the Smith College Medal (her
alma mater), the Pennsylvania Governor’s Award for the Arts, and she has been named a
Distinguished Daughter of Pennsylvania.
Sessions in which Kathleen Marshall participates
1:00 PM
1:00 PM
- The History of the Ensemblist Jacob K. Javits Convention Center - Programming Room A
- 1:00 PM - 1:50 PM | 50 minutes
- The Ensemblist, the only podcast that shows Broadway from the inside out, presents a live version of our most recent season: The History of The Ens...
- Panel
5:00 PM
5:00 PM
- Getting There: In Transit Jacob K. Javits Convention Center - Programming Room A
- 5:00 PM - 5:50 PM | 50 minutes
- Panel
12:00 PM
12:00 PM
- Putting It Together: Broadway Directors Jacob K. Javits Convention Center - Programming Room E
- 12:00 PM - 12:50 PM | 50 minutes
- To craft a show, directors must "twist a little, stir a little, him a little, her a little, shape a little, mold a little" and yes, put their hand ...
- Panel